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Colorverse

Golden Leaves

Warm tones#E7BB27

A Korean ink line that pairs each color with space and astronomy-themed names and packaging.

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Specs

Color familyWarm tones
Approx. hex#E7BB27
SheenNot typically noted

Paper & pairing

Warm tones (oranges, yellows, ambers) show strong contrast between light and dark areas of each stroke, which is part of why they're popular with broader nibs. This ink will behave predictably on most fountain-pen-friendly paper. Cheap, highly absorbent paper (standard copier paper) will dull any ink's saturation and can cause feathering or bleed-through with wetter nibs.

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About Colorverse

A Korean ink line that pairs each color with space and astronomy-themed names and packaging.

South Korea Founded c. 2016
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Storing and using the bottle

Bottled fountain pen ink has an effectively long shelf life when kept capped and out of direct sunlight: most inks remain usable for years. The main risk isn't the ink spoiling, it's a pen sitting inked and unused for weeks: that's what causes clogs, not the ink's age.

Frequently asked questions

What color family is Golden Leaves?
Golden Leaves falls into Inktend's warm tones family based on its typical swatch color.
Does Golden Leaves have sheen?
Golden Leaves is not typically noted for sheen. If you want that effect, browse similarly colored inks tagged with sheen in the ink library.
How should I store a bottle of Golden Leaves?
Years, easily, as long as it stays capped and out of direct sunlight. The thing that actually shortens an ink's usable life is sitting unused inside a pen, not sitting on a shelf.
What paper works best with Golden Leaves?
It behaves predictably on most fountain-pen-friendly paper. Stick to something reasonably absorbent-resistant, since cheap copier paper dulls saturation and can feather.

Similar shades By colour distance

Amber Yellow Copper
De Atramentis
Topas Gold Ink
De Atramentis
Yellow Zebra
Octopus Fluids
American Goldfinch Yellow
Anderillium
Bouton d'Or
J. Herbin
Saffron
Montegrappa

Color shown is a close digital approximation of a typical swatch, not a calibrated color match.